360° film - or Virtual Reality - has turned from "the thing" to of one of the many tools that can be used to express creative ideas. We will look at 360° film from the technical angle around display and distribution: How should a film be prepared to be submitted to festivals and markets? What kind of experiences will festivals and markets offer? What's the situation with current Head Mounted Displays (Vive, Vive Plus, Windows Mixed reality). The outcome should be that you know what will happen with your work once it hits the market.
Tilman Scheel is coordinating the DDD60, a project by the Marché du Film of the Cannes festival, Sunny Side of the Doc, Sheffield Docfest, Spin Digital, reelport and of course by the Tampere International Filmfestival